Is it important, and which one sounds better? I noticed that you retrieve the rear channels from the CenterCut output while the methods I use creates the rear channels from the stereo source file. Thanks, I will give this ffmpeg based method a run right away.īTW the link in your previous post does not work, it got truncated by copy&paste. Doing almost similar work.If you give a write up of complete procedure step by step & link will be of more help
I'm unable to get that center_cut_GUI.Where can I get?Ĭenter_cut_GUI & dsp centercut same or different? Now that I have the unchanged stereo, a mono of the center channel, and a stereo of flawless surrounds, I can feed them into Bidule for the second stage of processing which gives the LEF channel (stereo expander (-100) - Waves MaxxBass - Waves RBass), dithering, the 90 degree phase-shift of the surrounds, the 24 bit conversion (I end up with DVD-Audio format), and the required number-of-channels output - either three 2-channel files for my purpose, or one 6-channel file for somebody else's for AC3 or DTS CDs.įinally, I load the three stereos into WaveLab 5's DVD-Audio montage - 2 of them (2 albums, 24-bit resolution) per one DVD disk and burn. When I tried Moitah's stand-alone it did the sleek job of a music stereo to center and surround channels separation. Either the stereo image is jumbled up (V.I Stereo to 5.1 Converter VST Plugin Suite, the SRS plug-in, and all Bidule Ambisonics built-ups at start=20 or overflanged and distorted output produced by the very time consuming Adobe Audition 2's filter.
I've studied and tried out every possible method of a stereo to 5.1ch music (not movie) material conversion described in this forum ( ) and wasn't quite happy with the results.
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